Before Captain America: Young Steve Rogers

Steve Rogers, the boy who would become Captain America, was born in New York on July 4, 1917 the only child of Joseph and Sarah Rogers. His parents are described as immigrants living on New York’s Lower East Side who have fallen on hard times.  Steve Rogers’ youth was spent in poverty; his early manhood shaped by the Great Depression.  His father was a sometimes construction worker who served in the 1st Battalion, 26th Infantry (the “Blue Spaders”) in the Great War and died of influenza in 1926.  His mother struggled, working two jobs, taking in washing, until she fell ill and died in 1934.

Most stories over the years depicting Steve Rogers’ youth focus on the experiences that shaped the man who would become Captain America.  The new CA series (just launched in 2013) is the seventh “modern” series to follow after the original Captain America Comics of the 1940s-50s, has featured numerous flashback glimpses into Steve’s childhood years.  His unemployed father is shown as a desperate, violent man who brutalizes his wife and turns to drink in his frustration.  Steve’s mother is shown possessing the qualities that continue to guide the adult hero.  “You listen close’ she tells him at one point.  “You always stand up.”  Young Steve does just that for bullied friends, and when poverty drives him to steal money from the local drug store to pay for Mom’s medicine, he’s compelled by shame to confess the crime and work off the debt.
Despite these setbacks, Steve kept up with his schooling and is often shown to be a voracious reader—“Especially of fantasy!” FDR once commented while reading from Roger’s file.  The president continued, “It seems that the boy also had a talent for art, but he kept his love of art, and of books, a secret to avoid taunts and beatings at the hands of his peers.”

garbage can lid

Other glimpses into Steve Rogers’ youth have appeared in various stories over time.  Described and depicted as a frail weakling, he’s shown at age 8 being rescued from bullies by an older neighborhood tough, Davey Fortunov and at other times by best friend Arnie Roth (both show up later in Cap’s life, having surmised the connection between their childhood friend and the Sentinel of Liberty).

A story in a 1994 Holiday Special has Cap a mission “in upstate New York, around Albany,” where he comes across an abandoned farmhouse. “Wait, I know this place,” He realizes. “It’s where my Grandfather lived—sixty years ago!” (c. 1930) As he creeps near, Cap is flooded with memories of visiting his Grandfather when “the Depression was still in its early days.”  He also remembers the old man’s wisdom: “America’s based on principles, boy—‘specially the principle of freedom. The fight for freedom goes on. It’s every citizen’s duty not to forget th’ battles fought before nor to shirk their own. You keep that in mind, boy.” (This tale is a bit difficult to reconcile with the often cited “immigrant parents” detail; perhaps only his father was a first-generation immigrant and this is his maternal grandfather.  To complicate things even further, there are stories which depict Steve Rogers as having a Revolutionary War ancestor of the same name).

In CA #270 (1982) Cap passes by his old Elementary School on the Lower East Side, and he pauses to reflect on his days there. “This place was part of me for so many years.” He finds his old classroom with some old desks still in place. “I can still recall sitting in that front-row seat, as Mrs. Crosley tried to shove some knowledge into our heads!” A memory panel depicts the teacher before the board, on which is written, “Civics Test Monday.” “You know,” she says to her pupils, “You children are very lucky to be living in a country as free s this one. The United States offers its citizens more rights than any other nation in the world! But along with those rights come certain duties as well! It’s the duty of each one of you to see this land stays free . . . to see that justice is extended to all!” Cap’s memory of Mrs. Crosley fades with the words, “Don’t let me down.”  Cap murmers, “I . . . I won’t.”

Issue 7 of the Sentinel of Liberty series (1999, also the source of the FDR quote above) featured vignettes of Steve Rogers in the 1930s at this old elementary school (being tormented, of course, but also with the strains of FDR’s “Fear Itself” speech drifting from a radio in the background); in 1934 at his mother’s death, in 1938 working as a WPA artist finishing a mural in a New York subway” and in 1940 in the oft-depicted scene of Rogers in a New York theater watching a newsreel account of the Nazi blitzkrieg across Europe.
young steve
After most renditions of this newsreel incident, Rogers emerges from the theater determined to enlist, but of course he is too frail to serve in the Army and is rejected at various induction centers.  Finally, he’s approached by a military officer and offered a chance to serve his country through an experimental program.  A particularly creative version of this story from the 70th Anniversary Special (2009) sets the scene in Brooklyn, where Rogers tangles with “fifth columnists” before even being approached about the program.  In this confrontation, he displays remarkable “Cap”-like qualities long before becoming the actual hero.

This imaginative story of our young hero is recalled by his war-time partner, the even more youthful Bucky Barnes.  Bucky’s closing observation provides a fitting conclusion for this segment of our story.  “When he was still frail and slight, inside he was still the man that he is now.  The thing that makes Captain America great . . . is Steve Rogers.”

Next:  Becoming Captain America

Stories depicting Steve Rogers’ childhood and youth can be found in—

Captain America vol. 1 #255 and #270 (1981-82); CA: Sentinel of Liberty #7 (1999); Marvel Super Heroes #3 (1990); Marvel Holiday Special #2 (1994); Mythos:  CA (2008); Steve Rogers, Super-Soldier #3 (2010); CA vol. 6 #1 (2011) and vol. 7  #1-6 (2013)

Variations of the newsreel/induction center scenarios are depicted in—

CA vol. 1 #109, 176, 255; MSH 3; CASoL #7; CA vol 5 #25; Mythos CA; and the CA 70th Anniversary Special

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The Discarded Image

The Question of God, Part 5 (Freud Segment, “Human Mythology“; Lewis Segment, “From Spirits to God“; Panel Discussion, “Miracles“)

Freud was determined in his research and writing to demonstrate that religious sentiments could be traced to historical, cultural, and psychological influences that revealed themselves through the sacred stories of religious traditions.  Rather than seeing truth in the midst of the story, he intended to reveal the mythical basis of all things sacred.  The exclusive claims of Christianity, to Freud, derived from its imaginative connections with God’s promises to a Chosen People.  The particular relationship these People enjoyed with God found its expression in the claims of a key historical figure, Moses.  His influence, in turn, stemmed from a mythical tale connected to an archetypal son, the “declared favorite of a dreaded father.”  To Freud, this primordial image of the favored son sacrificed by his brethren was the true basis of the Judeo-Christian worldview.  It was a grand cultural deception which needed to be revealed and discarded.

discarded image

C.S. Lewis gave the title, The Discarded Image, to the last book he wrote.  After a lifetime of teaching Medieval and Renaissance Literature, he gathered his lecture notes into a comprehensive thesis:  while the “worldview” of this period may suffer from scientific and naturalistic “inaccuracies,” it represents a cohesive and imaginative picture of humanity that is more genuinely “true.”   The Human “Image” that emerges from a pre-modern understanding of history, science, philosophy, and theology informed the most beautiful and influential literature in the Western world for its first two millennia.  Writers of all genres during this period drew from a richer understanding of humanity to tell stories filled with imaginative and enchanted images that have been largely discarded by their modern counterparts.   Most importantly, Ancient, Medieval, even Renaissance writers viewed the world itself and human experience as a cohesive, unified “whole” that found meaning outside of itself.  Modernity has fragmented all things—including humanity—into segments of specialization subject to individual scrutiny and interpretation.

Freud’s effort to “mythologize” humanity’s religious impulse reflects the post-Enlightenment determination to explain and de-mystify every aspect of the human story.  The result has been a world in which scientific analysis and empirical “accuracy” is the basis for truth and “fact.”   One of his primary disciples, Carl Jung, pursued a different course, using psychoanalysis to explore a “collective consciousness” in humanity which mythical imagery reveals meaning.  Jung’s famous “archetypes” provide the deep structure for human motivation and meaning. When we encounter them in art, literature, sacred texts, advertising—or in individuals or groups—they evoke deep feeling within us. These imprints, which are hardwired in our psyches, were projected outward by the ancients onto images of gods and goddesses.  They continue to inform and motivate us in the present.

To Lewis and his fellow “Christian Humanists” (Chesterton, Tolkien, Dorothy Sayers, Evelyn Waugh, and others), modernity had gravely disenchanted the world and left us disconnected from important “essences” that define our true humanity.  As Lewis finally accepts in this segment, Christianity is simply the “True Myth” from which all other stories draw their true meaning.   “Here and here only in all time the myth must have become fact; the Word, flesh; God, Man. This is not ‘a religion,’ nor ‘a philosophy.’  It is the summing up and actuality of them all.”

Learn more about Humanism, Modernity, and the Human Story—

C. S. Lewis, The Discarded Image (originally published in 1964; Cambridge ed. 1995); Donald Williams, Mere Humanity:  Chesterton, Lewis, Tolkien on the Human Condition (Broadman & Holman, 2008)

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True Statesmanship

This particular piece has been on my mind for some time and far too long neglected.  In response to one of my earlier “Civics” posts, written in response to last November’s elections, a former colleague of mine asked, “Where are the true statesmen?”

The tempting response, of course, is “Good Question.”  But I’ve been too long steeped in Classical and Christian traditions to let things go at that.  In fact, one of my most valued mentors, a now-retired (and highly influential) Professor of Political Philosophy, has long-ago provided the answer to this question.  He has graciously agreed to allow me to draw liberally from the well of his wisdom.  (For the full experience, see “Statesmanship and the Crisis of Political Leadership in America” by Dr. John Gueguen).

state of union

Dr. Gueguen originally presented these ideas on statesmanship to the freshmen members entering the U. S. House of Representatives in 1981.  His words ring true still, because they are rooted in truths that transcend time.  “A statesman,” he writes, “is to a politician what a master is to a painter or a composer in the arts; he is what a true champion is to an athlete in sports.”  A statesman’s aim is to “advance the common well-being of a people” through “custodial leadership” that seeks not to merely “administer affairs,” but rather to “transform them.”

True statesmanship is perhaps most difficult—but most direly needed—in the Constitutionally-based republican democracy we have in America.  In a society which so highly values equality and freedom (two values which, in obvious ways, often compromise one another), it is difficult to lead decisively because one must not be seen as “an authority standing above equals.”  Politicians thus find themselves inevitably motivated by self-interest or pandering to special interests.  A statesman has the difficult task of persuading his or her fellow citizens that a position which must be pursued is not the necessarily the popular one, nor the pragmatic one, but simply the right one.

Dr. Gueguen cites nine qualities which are essential to such a democratic statesman.

  1. One must possess “firm and consistent principles of life, convictions [held with] absolute certainty and [regarding] which nothing could [force] compromise.”
  2. One must, however, also “be flexible on matters that can and should be compromised,” this ability being dependent upon “uncommon prudence,” “abundant common sense” and careful discernment regarding “how far to concede.”
  3. One must act “energetically, aggressively, and courageously” when times call for it, resisting the temptation toward discouragement in the face of resistance, remaining optimistically confident in [one’s] ability to bring about [the right results].”
  4. One must be “able to dominate circumstances, to rise above them, to spot problems when they are still far off and easier to divert.”
  5. One must not be “content simply to lead,” but rather must “lead . . . along the path [toward] the common good.”  Self-interest must be sub-ordinated to the public interest, and “private agencies, the family, and the church [must be allowed] to exercise the leadership which belongs properly to them.”
  6. One must be “firmly grounded in classical liberal arts” in order to recognize “that universal human experience is a more valuable and objective guide” than one’s own or that of prevailing social trends and sentiments.
  7. One must be able to “come quickly to the heart of the matter, analyze cause-effect relationships, and reach accurate conclusions.”
  8. One must be personally rooted “at the deepest level of life” in faith in God, who provides “enlightenment beyond human resources” and gives authority to words and deeds which “transcend the worlds of political acumen.”
  9. One must possess “the humility that comes from true self-knowledge,” particularly in the awareness of one’s own “limitations and the limitations of the human condition.”  This fundamental quality allows one “to learn from one’s mistakes” and avoid “the false attractions of utopian fantasies.”

As we prepare to hear our President deliver his second “State of the Union” address tonight, take note of his demeanor and measure his words in light of these nine qualities.  But don’t stop there.  Use them as a lens through which to view the words and actions of every elected official who represents you in national, state, and local offices.

“Where are the true statesmen?”  I have faith that they are out there—though perhaps not as yet recognized or even elected.  These are the standards we should be looking for in our leaders.  They embody whatever hope we may hold for the future of this republican-democracy of ours.  We must resist the path of apathy and insist that true statesmen lead us.

 

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Return to Me

The Question of God, Part 4
(C.S. Lewis segment, “A Leap in the Dark”; Panel Discussion, “Why Believe?”)

C. S. Lewis seemed a reluctant atheist, keeping God at bay through intellectual pride and accusations of injustice and infidelity.  Yet the world of Classical and Medieval literature he called home was filled with stories of lost and forbidden love—and longing for redemption and restoration—that kept alive hopes for finding the “joy” of his childhood days.  Modernity increasingly seemed a cheap substitute for a more profound narrative.  He could not escape the nagging idea that he’d given his love to an altogether wrong object of desire.

The book Lewis is reading in this segment is the Greek tragedy Hippolytus by Euripides.  In this story young Hippolytus, the beloved son of Athens’ King Theseus, decides to devote himself in celibate faithfulness to Artemis, Goddess of the Hunt.  His choice offends the Goddess of Love, Aphrodite, who cannot believe such a magnificent figure of manliness could possible resist the call of love.  Aphrodite charms Phaedra, Hippolytus’ step-mother, inspiring in her heart an irresistible love for the handsome youth.  The shame of this forbidden desire drives Phaedra to suicide.  Her husband Theseus wrongly accuses his son of ravaging his wife and exiles him, an action which ultimately leads Hippolytus to a fatal end.  Dying Son and loving Father are reconciled when Aphrodite herself appears and reveals the truth of the matter.

The passage Lewis reads aloud speaks of a longing for a deeper fulfillment in the land of the gods that might transcend the limitations of early love—particularly a love both forbidden and denied.  This longing for eternal bliss in a real world where human hopes are shaped by both glorious aspirations and desperate disappointment plays an important role in Lewis’ transformation.  It also echoes the great spiritual paradox that we humans are simultaneously created in God’s image (including the “divine” impetus toward creation) and cursed by the consequences of the Fall (including the temptation toward our own “divinity”).  Lewis himself is puzzled by the paradox of his own attraction to the “idea of God” when everything in his “real” world not only rejects this idea, but has rendered it intellectually “forbidden.”

The desire for serenity and salvation rooted in religious expression is a recurring theme in the Human Story as well.  The Classical Age of ancient Greece gave way to several centuries in which Greek ideas were spread to cultures conquered first by Alexander the Great and ultimately by Rome.  During this “Hellenistic”Age, Greek thought intermingled with those of other cultures, giving rise a mélange of worldviews in which religion, philosophy, spirituality, and rationalism formed new syncretistic systems.  Cynics were “self-sufficient” skeptics; they found satisfaction in simplicity, valued individuality, and disregarded universal claims to truth.  Epicureans were “self-centered” materialists; they found solace in the pursuit of happiness and avoidance of pain.  Stoics were “self-controlled” fatalists; they sought serenity in accepting life’s vicissitudes and valued perseverance in the face of struggle. (note the role of “self” in all these views!)

Of course, into this world as well was born the Promised One of the Jews, whose coming “in the fullness of time” would transform the world.  Lewis is not yet ready to go that deep in his return to belief in God, but here we see him take important steps in the right direction

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“I gave in, and admitted that God was God … perhaps that night, the most dejected and reluctant convert in all England.”

Learn more about the religious impulse and the Human Story—
G. K. Chesterton, The Everlasting Man (originally 1925, Dodd, Mead & Co.; 2008 edition, Wilder); J. G. Frazer, The Golden Bough (originally published in 1890, many modern printings available)

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The Odyssey of Captain America

From my mid-20s until my early 40s, I walked away from my adolescent comic-book habit.  I sold off my original collection (large tears now welling up . . .) and was relatively ignorant of the goings-on in the Marvel Universe.  I did pick up the amazing Marvels series by Ed Busiek and Alex Ross in 1994, and that rekindled my love for the “classic” continuity I’d so loved.  It also re-connected me with the “Golden Age” heroics of Captain America, Marvel’s WW II icon, whom I’d gotten a taste of back in the 70s through Roy Thomas’ amazing Invaders “retro-continuity” series.

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Within a few years I’d jumped back in with both feet, gathering up and reading every comic book appearance of the “Living Legend” I could find (which, thanks to the magic of reprints, I’ve pretty much managed to do).  My experience as a Civics teacher resonated with the patriotic metaphors that abound in the Cap mythos, and my interest in Classics helped me begin to understand the Star-Spangled Sentinel in more grandly heroic terms.  Captain America, I think, is an American Odysseus.  The glory days of WW II are his Illiad, and his life since being “revived” in the 1960s are his Odyssey.

In his introduction to Robert Fagles’ popular translation of Homer’s , Bernard Knox begins, “’Odyssey’ is a familiar English word, meaning, according to Webster, ‘a series of adventurous journeys usually marked by many changes of fortune.’” Of course, the word itself derives from the Greek Odusseia, meaning simply “the story of Odysseus,” the classic tale of the fabled king’s journey home to Ithaca after the Trojan Wars.

While the Odyssey is certainly an “adventurous journey” filled with many “changes of fortune,” Knox reminds us that this classic hero returns “to find at home a situation more dangerous than anything he faced on the plains of Troy or in his wanderings over uncharted seas.” For Odysseus, returning “home” defines him. His country, his family, his values—all have been simultaneously defended and sacrificed during his time at war. The Great Question before him as he returns is, can they be restored? Or have they been lost for all time during his absence? And if lost—what is his place in this place that is no longer “home”?

No modern hero emulates the spirit of the Odyssey as well as Captain America. He is “born” into a world in which the ideal of the American Dream was as formative and motivating for him as ever experienced by noble Greek. His mettle and values–tested in his own Iliad, World War Two–have been sacrificed during his two-decade Great Sleep that followed. Since his revival, his life has certainly been “a series of adventures” marked by “many changes of fortune.” His return has always been shaped by the same central question faced by Odysseus: can his country, his family, his values–which he embodies as surely as did Ithaca’s King—ever be restored? Or have they been lost for all time during his absence and the struggle to find his way home? Perhaps even more powerfully, Steve Rogers has wrestled for four decades with the real possibility that all has been lost, and his story has been much more defined by his efforts to find his place in a world that is no longer “home”.

Steve Rogers/Captain America has been at the center of almost every major development in the Marvel Universe since its inception.  He’s survived “death” at least a half-dozen times, always brought back to continue “fighting the good fight.”  In the series of posts which will follow this, I’ll comment on some highlights of that start-spangled career.  And I’ll try to make the case that it is finally time (more likely way past time) for him to be allowed to find his way home.  Although I would dearly miss him, I truly hope Marvel Comics has the courage to let him go.

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New Year, Wonderful Name

 

Yesterday most of the world celebrated New Year’s Day as January 1st “arrived” around the globe.  For much of the history of the Christian West, however, this date may or may not have marked the actual “beginning of the year.”  Jan. 1 was the first day of the year under the Julian calendar used by the Roman Empire at the time of Jesus’ birth, though many common folk in the empire continued to mark  the start of the new year on March 1, as it had been under the “old” Roman calendar.

January 1 continued to be the first day of the new year when the present Gregorian calendar was introduced in October 1582, when Pope Gregory XIII “removed” 10 days from the calendar to properly “realign” its days with the solstices (Catholics in Europe went to bed on “October 4” that year only to wake up on “October 15”!).  It took a couple of centuries for European Protestants (and the rest of the world) to fall in line, and during that time many of parts of Europe continued to view March 1 as the start of a new year because of its general coincidence with Spring.

January 1 was an important day, however, and Luke’s Gospel tells us why. In Chapter two, right after the famous Christmas passages about angels announcing Jesus’ birth to local shepherds, Luke records in verses 21-22:  “When the eight days were completed for His circumcision, He was named Jesus—the name given by the angel before He was conceived.  And when the days of their purification according to the law of Moses were finished, they brought Him up to Jerusalem to present Him to the Lord.”

So, since most of Christian Europe celebrated Jesus’ Nativity on December 25, this “eighth day” fell on January 1 and began to be commemorated as the Feast of the Holy Name.  Luke tells us on that original “eighth day,” Mary and Joseph encountered a man named Simeon at the Temple who’d been told by the Holy Spirit that “he would not see death before he saw the Lord’s Messiah.”  When he saw the Holy Family, Simeon took the baby up in his arms, praised God, and said:  “Now, Master, You can dismiss Your slave in peace, as You promised. For my eyes have seen Your salvation. You have prepared it in the presence of all peoples—a light for revelation to the Gentiles and glory to Your people Israel” (Luke 2:25-32).

Mary and Joseph came in obedience and “done everything required by the Law,” but consider the extra blessings they receive in the process!  When they presented their baby to the Priest, he would ask, “What is his name?”  Joseph would say, “His name is Jesus.” I think this day after the Feast of the Holy Name is a wonderful time to consider the blessings we who believe receive in His Name!

The Epistle Reading for the Feast of the Holy name is Galatians 4:4-5:  “When the fullness of time had come, God sent his Son, born of a woman, born under the law, in order to redeem those who were under the law, so that we might receive adoption as children.  At just the right time; according to His sovereign plan, God sent “the Light of Salvation” to the whole world; redemption for those born “under the law” (Paul in Galatians); a revelation to the Gentiles (Simeon in Luke); so we might be adopted as His Children and share in the blessings of His Name.  What are some of these blessing?

John 20:31 tells us we have life “in Jesus Name.”  Acts 2:38 Peter says our forgiveness “comes in the name of Jesus Christ.”  In Acts 3—after God heals the crippled man at the temple, Peter reminds the amazed onlookers, “By faith in the name of Jesus, this man whom you see and know was made strong. It is Jesus’ name and the faith that comes through him that has completely healed him.” 1 Corinthians 6:11 tells us we are “washed, sanctified, justified in the name of the Lord Jesus Christ.”

Simeon waited his whole life for salvation’s light to come.  Many still walk in the darkness, despite the reality that salvation’s light has come.  Some of us have walked in the blessings of this light for most of our lives; some for a short time.  One day, the whole world will acknowledge this Wonderful Name.  “Therefore God exalted him to the highest place and gave him the name that is above every name, that at the name of Jesus every knee should bow, in heaven and on earth and under the earth, and every tongue acknowledge that Jesus Christ is Lord, to the glory of God the Father” (Philippians 2:9-11).  Pope Gregory had the power to transform the calendar.  Only Jesus has the power to transform our lives and our world.

Psalm 89 (v.15-16) reminds us, “Blessed are those who worship you, who walk in the light of your presence, Lord.  They rejoice in your name all day long; they celebrate your righteousness.”  As you walk in “the light of His Presence” this coming new year—and every day of your life— Remember his promises.  Receive His blessings.  Rejoice in His Name.  And if you are not yet walking in the Light of Christ, reach out for His Grace.

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On Comics and Life

I read the comics every day and have done so for as long as I can remember.  One of the things I really miss from my days in the classroom is having a bulletin board on which to proudly display my favorites strips for all to see.  Every handout, quiz, and test was always adorned with some relevant comic, which I obsessively cut out, collected, and categorized for just this purpose.

In addition to daily and Sunday strips, I’ve also collected comic books on-and-off since I was a teenager.  Comics have been and endless source of shared enjoyment with family and students, and they’ve also served as an uncannily reflective lens through which I’ve experienced life myself.

The oldest books in my collection are classic Peanuts paperbacks, icons of my early childhood years (late 50s through the 60s).  These were the golden years of Peanuts influence in popular culture, a time when Charles Schulz’s memorable characters enjoyed a virtual monopoly of public appeal with their simple, honest humor.  Laughs and lessons from a child’s perspective were often laced with timeless wisdom beyond their age, served up for all ages to enjoy.

As a kid, I was basically a social Charlie Brown and a philosophical Linus who desperately tried to be a “Joe Cool” Snoopy.  My childhood holidays were synonymous with Peanuts TV specials, and many of my possessions represented the first wave of media merchandising and cartoon commercialism.

By early adolescence, I’d discovered a new love (though I still faithfully fed my newspaper strip addiction).  I’d not had much interest in comic book super-heroes until the Amazing Spider-Man came along.  Here was a high-school honors student, ridiculed and bullied, who gained his “amazing” powers from the bite of a radioactive spider received while on a science field trip.  Suddenly my life was transformed by monthly forays into the life and adventures of a hero who—except for chance circumstance—could be me!

Unexpectedly, the kid behind the spider mask struggled with the same adolescent angst, and teenage tribulations I faced daily.  He swung his way through the same social and cultural turmoil of the sixties and seventies as I did.  He taught me that power brought unanticipated responsibilities and that weakness wasn’t necessarily the absence of strength.  He made me think about things, and he introduced me to a Universe at which I continue to Marvel (now along with my son and students!).

As a young adult, my daily newspaper reading habit introduced me to a comic strip that took social commentary to whole new level.  Gary Trudeau’s Doonesbury captured the essence of—and brutally satirized—current events and cultural trends for a generation of media-oriented Americans.  Few creators have so precisely placed the day’s issues into perspective as has Trudeau (sometimes irreverently, or even offensively, but always poignantly).  Even as my own socio-political perspectives grew more conservative, I continued to appreciate Trudeau’s sharp wit and clever insights even when I disagreed with them.  I’ve grown into middle age with Michael Doonesbury, and along each step of the way Trudeau has powerfully marked and vividly depicted every significant cultural and personal milestones along the way.

The experience of fatherhood created an entirely new context for the comics to reflect the realities of my life.  As my children were growing up, no creator did this more entertainingly than Bill Waterson with Calvin and Hobbes.  It didn’t take much reading for me to recognize my own children—and myself—in the antics of this irrepressible boy and his beloved tiger.  Calvin’s exaggerated imagination and rebellious defiance took a strikingly different tone than did the Peanuts of my youth, yet in many ways its daily premises remained fundamentally similar.  Kids are kids;  life is life.  And for a generation of us who really couldn’t believe we’d become our parents, it provided much-needed comic relief.

Calvin summed up in caricature what really seemed to be happening between contemporary parents and their kids.  In a cultural of mediated precociousness, raising kids was more a matter of negotiation than nurturing.  Still, behind the not-so-subtle cynicism, there were always, always moments which helped us remember the wonders of childhood and relive the joys of absolute irresponsibility and unlimited dreams.  In a fitting twist of comic irony, the foreword to the first Calvin and Hobbes anthology was written by Charles Schulz.

I continue to have my favorites in the daily comics—Get Fuzzy, Pearls Before Swine, Heart of the City, among others.  I also remain a devoted comic book reader, though my “maturing” tastes (and career as a teacher of History and Government) led me to switch my focus from Spider-Man to Captain America.  (I’ll have more to say about the Good Captain in my next “comics” post; so be sure to watch for that!)  My enjoyment of comics now has sadly become a more private experience, though I thoroughly enjoy those “shared moments” that still come my way.  I hope this new “category” of posts will provide the opportunity for more.

I’m not exactly sure if my life has been reflected in comics, or if it is really the other way around.  I do know that comics, more than any other medium for me, capture and express the “spirit” of this last half century through which I’ve lived in a unique and meaningful way.  Their message is often exaggerated, sometimes whimsical, but always an artful and insightful rendering of the “essences” of life’s experiences.

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The Measure of Man

Part 3 of The Question of God

So far we’ve examined the role that imagination (part 1) and senses/reason (part 2) play in human efforts to answer “the big questions of life.”  Using the former, we find answers through stories (“myths”) that explain the material world around us—and ourselves—in terms that integrate supernatural and natural “realities.”  Through the latter, we use our capacity think about our experiences in the natural world (or vice-versa), looking for answers in that have rational and material (“scientific”) explanations alone.

By Freud’s time, the wide acceptance of “science” as the only valid way of “knowing” reality allowed highly imaginative theories (like Darwinian evolution) to gain widespread intellectual credibility—so long as they were couched in the language of empirical methodology.  Unfortunately for Freud, his own theory of the unconscious failed to win the imprimatur of the scientific community (although it greatly influenced  20th C. social science and popular culture!).  But the broader influence of “scientistic modernism” created an academic culture in which religious interpretations of the human condition were increasingly untenable.  In this atmosphere C. S. Lewis was himself first educated and then professionally engaged.  Yet within him still lingered an attraction to the “deeper” well of Classical learning as a source of truth, goodness, and beauty.

Of course, imaginative interpretations of the human experience are nothing new.  During the “Classical” age of Greece (4th-5th C. bc) such approaches to understanding the human identity, condition, and destiny were foundational to the formation of what we call “Western Civilization.”  Protagoras’ famous utterance, “Man is the measure of all things,” voices a human claim as sole  interpreter of the cosmos that rings down through the centuries.  More significantly, Socrates, Plato and Aristotle aim the imagination not at mere individual interpretation, but rather toward deeper principles woven into the cosmos, directing personal and social existence toward a greater good.  Even the characters and plots of Greek drama (Aeschylus, Sophocles, etc.) were designed to remind audiences of truths they already knew about humanity and the consequences of transgressing those truths (while also providing Freud the source of his famous “Oedipus Complex”!).

Socrates was condemned for insisting that human interpretations of truth must reflect timeless, absolute truths that transcend individual and temporal interpretation.  Though he never himself claimed to have “The Answers,” he believed a well-lived life must be based on the presumption of their existence and the cultivation of their influence.  Plato extended philosophical idealism from the individual to society, advancing in his “theory of forms” the “reality” of eternal, immutable ideas (from which all material reality derives).  A well-lived life aims to subject “lower” natural and material forms of human existence to the higher “virtues” that shape both individuals and societies.  Aristotle’s theory of “four causes” begins with material substances that comprise physical “reality,” but it also considers the essential ideas, activating agents, and ultimate purposes that give true “existence” to natural and material phenomena (metaphysical causes).  These all point to a design in the cosmos, which must logically be an “uncaused cause.”

Classical foundations provided the model for education in the West.  From Plato’s Academy and Aristotle’s Lyceum the “Arts and Sciences” emerged as a unified expression of the “fullness” of human learning. Protagoras provided the basis for modern divisions of learning into man-made, often exclusive categories of “expertise.”  Lewis and Freud were both educated in a culture still shaped by and mindful of its Classical influences (which will ultimately be to Lewis’ benefit).  At this point in their story, however, each is much more captivated by the trends of modernity (a captivity from which Freud will never escape).

Learn more about Classics and the Human Story—

Louise Cowen and Os Guiness, eds.  Invitation to the Classics (Baker, 1998)

Robt. Littlejohn and C. T. Evans, Wisdom and Eloquence:  A Christian Paradigm for Classical Learning (Crossway, 2006)

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From Darkness to Light

I have worked in academic or ministry settings for more than 20 years.  Everyone whose vocation places them in this world experiences the familiar rhythm of an annual cycle. Our years are marked in quarters and semesters, by “ordinary” time contrasted with the “strong” seasons of Lent, Easter, Advent, and Christmas.  We have arrived once again at the major transition point in both our academic and liturgical calendars.  Reflection often accompanies transition, and this particular turn has brought me to a fresh consideration of Advent through an exchange of images from Isaiah chapter 9 and John chapter 1.

Let’s begin with Isaiah 9:2: “The people walking in darkness have seen a great light; on those living in the land of darkness, a light has dawned.”  The starting point of all humanity—even the people of God to whom this is addressed–is darkness.  We are born “blind” into a broken world over which a dark deception has been drawn.  We are unable to “see” who we really are or even to understand why we are really here.  As 1 Corinthians 13:12 recognizes, our perceptions of reality are but a dim reflection of how things really are.  At its most basic level, our dark deception is this—we believe that “we are on our own”; or worse–that “we are our own.”

But by God’s loving mercy glimmers of grace peek through the cracks.  In this land of darkness, a light shines on dawn’s horizon.  The nature of this light is poetically set forth in John 1:  “Life was in Him,” we are told, and contrary to our lot, “that life was the light of men.” This one born in light “shines in the darkness,” with power even “the darkness did not overcome.” What is so brilliantly illuminated by this Life that is “the light of men?”

In this “child [who] will be born for us,” this “son [who] will be given to us,” Isaiah sees the full reason for His coming:  “The government will be on His shoulders.”  With his coming, the oppressive darkness of our self-deception—that we are in control—is lifted for those who desire to see.  The awful consequences of humanity’s hubris is set right when we rightly acknowledge the Lordship of He who is named “Wonderful Counselor, Mighty God, Eternal Father, Prince of Peace.”

This is why lights play such an important role in this annual journey through Advent and Christmas.  Our neighborhoods come alive with light (and, alas, so much more!).  Our sanctuaries are illuminated by candlelight.  Our hearts are strangely lit by hope, whether we believe or not.  All because, one day long ago, the Light “became flesh and took up residence” in our hearts, our sanctuaries, and even our neighborhoods.

Because He is Light, we are able to see through the darkness that blinds us.  Because He is Lord, we are set free from the deception that we are.  Because He was “born in the flesh,” we are “born of God.”  No wonder these days we mark are so filled with wonder.  Whether we count ourselves among “those who receive Him” or amidst those still “walking in darkness,” the Truth is that the Light has come.  Let us rejoice and be glad.

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The Metaphorical Gospel

I have, on numerous occasions, stood before a class of high school seniors and asserted, “Reading the Lord of the Rings changed my life.  It gave me my first glimpse of the Gospel and started me down the path on which I ultimately found Christ.”  Until recently, I wasn’t sure exactly how to explain why, though I tended to use the concept of having experienced a “baptized imagination” (without really knowing it!).

I’m now beginning to understand the “cognitive metaphors” at work my young life, providing glimpses into myself and reality I could imaginatively “know” but had no context (at that time) for rationally grasping.  I clearly recall the imaginative “feelings” stirred by my reading of The Hobbit, LOTR, and the The Silmarillion (read in that order, from late high school into my early college years).  They centered on three ideas that captivated me in ways that were both powerful and elusive:  1) realities that transcends appearances; 2) the past as a source of meaning; and 3) the allure of “lordship” evoked by a lost/restored king.

Tolkien pointedly wrote in an oft-quoted letter, “The Lord of the Rings is fundamentally religious and Catholic.”  Tolkien scholar Joseph Pearce asks that if this is so, “why is Christ never mentioned in its pages?”  He goes on to answer his own question.  “Christ is never mentioned by name simply because Tolkien’s myth takes place many thousands of years before the incarnation. He is not mentioned in The Lord of the Rings for the same reason that he is not mentioned in the Old Testament. He had not yet revealed himself in the flesh and, consequently, is present implicitly through grace, not explicitly in person.”  He concludes, “Christ is, however, king of Tolkien’s myth, the unfolding of which points to him in much the same way that the Old Testament points to him.” (http://catholiceducation.org/articles/arts/al0161.html)

This explanation nicely captures my own experience reading Tolkien as a “longing pagan.”  To begin with, I desperately wanted there to be more to reality than appearances offered.  I desired that the metaphorical idea of “life as a journey” would be made real, not only in longed-for adventures and experiences, but also as an existential truth.  I knew I should be “going somewhere” with my life, I simply did not know where to go (or how to go there).  Bilbo’s adventure implied that such “direction” in time, place, and even character might come from unexpected places and lead down unseen (but still providential) paths.  Frodo’s quest augmented that sense of direction with other “essentials”:  mutually-supportive and sacrificial fellowship, dependence on deliverance beyond one’s abilities, and transcendent will to persevere in the face of suffering and defeat.  In both adventure and quest–and in my own life–there were hidden designs at work and things that were “meant to be.”

But where could I look for that true direction, that full meaning, that ultimate design?  It was easy to see the hobbits’ world was shaped by a deep, directing cultural history into which glimpse were given through songs, stories, poems and proverbs. Could that be true for me as well?  My sense that profound meaning came from the past was amplified by reading The Silmarillion.  Here were my Genesis, my Chronicles, my Prophets, Psalms, and Proverbs, long before I ever opened an Old Testament.  In the Music of the Ainur I heard “a way things were meant to be” (and it was Good).  In Melkor’s discord and saw that disharmony originated in prideful refusal to submit (and insistence on having one’s own way).  “He desired rather to subdue to his will both Elves and Men . . . and wished himself to have subjects and servants, and to be called Lord, and to be master over other wills.”  In Beren and Luthien I experienced the sacramental power of love.  In the choices of Turin, that the gift of free will bears bitter fruit when wielded in anger and vanity (but that grace yet abounds).

These and countless other tales from the past give meaning to the “present” and impress eternal truths upon the reader.  Most importantly, they provide the context for “Lordship” that is essential for understanding the role of the King and the significance of his return.  This more specific claim on my life was longer in the understanding.  It was easy to imagine myself in a world of purpose and meaning in which I was called to play an important part.  Much more was involved in acknowledging the Lordship of the Source of purpose and meaning over my life.  And to bend my knee to that rightful King was even longer in coming. But I think it helped to have already seen it, in Aragorn, willed so selflessly, won so valiantly, and worn so nobly.

It all, for me, comes together in the beautiful images evoked in the “All that is Gold” poem from the Fellowship of the Ring (speaking  prophetically of Aragorn):

All that is gold does not glitter,
Not all those who wander are lost;
The old that is strong does not wither,
Deep roots are not reached by the frost.
From the ashes a fire shall be woken,
A light from the shadows shall spring;
Renewed shall be blade that was broken,
The crownless again shall be king.

Here, metaphorically embodied, was a king through whom I was prepared to meet the King.  Here is the paradox of the suffering servant, the branch from the stump of Jesse, the light in the darkness, the broken bread, the crown of thorns, the King of Kings.  Here is the Gospel.  It just took reading the same words over and over to finally and fully see what they had been showing me all the time.

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